Bernstein in the Baltic

Reflections on American conductor and composer Leonard Bernstein, who would have been 100 this year.

Justus Frantz, Leonard Bernstein and Helmut Schmidt
Justus Frantz, Leonard Bernstein and Helmut Schmidt dpa

The music that led us to one another was Dvořák’s Piano Concerto in G minor. One night, after listening to the radio and hearing a recording I had made with the Northwest German Philharmonic Orchestra, Leonard Bernstein, who would have turned 100 this summer, invited me to play the piece with him and the New York Philharmonic. We became close friends, and soon he and his family were regular guests at my finca, or farmhouse, on the Spanish island of Gran Canaria.

The finca was also the place Lenny was looking to visit in 1985 after completing his Peace Tour, which had taken him and an international youth orchestra halfway around the world to Hiroshima, 40 years after the dropping of the atomic bomb. He had arrived exhausted in Vienna and was yearning for peace and quiet and seclusion.

How Bernstein fell in love with Germany’s rough north

Unfortunately for Lenny, I had something completely different in mind for him! I wanted to raise his enthusiasm for the idea of launching a music festival in the northern German state of Schleswig-Holstein – and I wanted to do so on-site, as it were. But Lenny wasn’t convinced: “Schleswig what?” he asked. He had been looking forward to the warm and welcoming climate of the Canary Islands. In contrast, the summer in northern Germany that year had truly lived up to Heinrich Heine’s famous description; it had been “but a winter painted green.” Nevertheless, I raved to Lenny about the Schleswig-Holstein sun. It was a pure lie. And it didn’t help.

So I asked my friend Helmut Schmidt, former chancellor of Germany and then co-publisher of the German weekly Die Zeit, for advice. He came up with the idea of doing a big interview with Bernstein and flying him in a private jet from Vienna to Hamburg. Lenny agreed – and after that, luck was absolutely on our side. We started having the most beautiful weather possible in the north. The government of Schleswig-Holstein even provided us with a helicopter to explore the beautiful landscape between the North Sea and the Baltic.

We went sailing with friends on the Baltic Sea, which was still quite cold at the time. At one point, Lenny suddenly got up and took a headfirst dive into the water. We were all horrified. Nobody had warned him that the Baltic was not nearly as warm as the South Pacific. When it looked like he wouldn’t resurface any time soon, we looked for him frantically, tore off our clothes and prepared to jump in. But then he appeared, smiling from ear to ear. Lenny had swum underneath the hull – and resurfaced on the other side of the yacht, laughing!

We had a wonderful time. When he flew back, he said to me at the airport: “I fell in love with Schleswig-Holstein.”

“He was one of the most educated people I’ve ever known”

Bernstein was always a teacher; he even sometimes called himself a rabbi. He was always a composer and a musician. He loved new things and the unknown. His thinking never followed a set trajectory; his was a liberal spirit. It is hard to fathom the sheer volume of his contribution to this world – and what he gave me personally!

Leonard Bernstein could wax poetic about the history of political songwriting just as much as about the emergence of the blues. He was as well-versed in German poetry as he was in English and American poetry. He was one of the most educated people I’ve ever known. Talking to him about art, history and philosophy was never superficial, and that light Anglo-Saxon touch of his was always a true pleasure.

Lenny loved the world, he loved people. And he let them know how much he loved them.

Symbol of peace and human unity: Bernstein conducting “Ode to Joy” in Berlin

He was always an ambassador for peace. He used music to overcome borders and focus on that which unites us and binds us together. The night the Berlin Wall came down, I called him on the phone, as it was immediately clear to me that he was the only one who could conduct “Ode to Joy” in Berlin: “Lenny, the Wall has come down!” He didn’t understand me at first, thinking only that something had happened to my house. Then came the idea to present Beethoven’s 9th Symphony at Christmas 1989 in Berlin with the Bavarian Radio Symphony Orchestra, with musicians from the four Allied powers and with other musicians from Israel and the GDR. Bernstein was deeply moved.

Leonard Bernstein is applaused after conducting an international ensemble during the East-West-Concert shortly after the Berlin wall came down in Berlin, 25 December 1989.
Leonard Bernstein is applaused after conducting an international ensemble during the East-West-Concert shortly after the Berlin wall came down in Berlin, 25 December 1989.
dpa

An American Jew conducting the 9th Symphony and the finale “Freude schöner Götterfunken” (Joy, beautiful spark of Divinity) or, as he had them sing, “Freiheit, schöner Götterfunken” (Freedom, beautiful spark of Divinity). This was the symbol of peace and human unity emanating from Berlin to the rest of the world. We Germans will always be grateful to Leonard Bernstein for this tremendous gift.

Many musicians, including Isaac Stern, Vladimir Horowitz and Arthur Rubinstein, understandably did not want to perform in Germany after World War II and the atrocities of National Socialism. Bernstein, on the other hand, came to Germany as early as 1948, albeit with some trepidation. In Landsberg am Lech, at a concert with Holocaust survivors, he cried tears of sorrow and tears of relief for liberation and new life.

Culture is the key to democracy

The thing that had given him the strength to come to Germany was what he called “holy German art” – he was the only person who could have formulated it this way. This art is what brought him here to talk to Germans and introduce them to his ideals. He was convinced that democracy can only be achieved when every individual has access to culture, that is, when art has made its way into the lives of each one of us, rather than being the play thing of privileged individuals only.

With his music and his art, Leonard Bernstein made his way into the lives of each and every one us. His songs are understood by all, perhaps for the first time since Mozart and Beethoven. Shepherds in the mountains whistle his melodies just as much as software engineers in Silicon Valley. It doesn’t matter whether it’s “Maria,” “America” or “The Age of Anxiety,” his symphony for piano that belongs in the repertoire of all large orchestras today; his music is a gift to the whole world. It connects people as friends. America can justifiably be very proud of one of its greatest sons.

JUSTUS FRANTZ

is the key co-initiator of the Schleswig-Holstein Music Festival (SHMF). He was also its artistic director until 1994. Starting in 1986, leading international musicians have gathered every year in this northern German state to perform in palaces, stately homes, barns, stables, churches, shipyards and old industrial halls in an attempt to bring classical music to the widest audience possible. Leonard Bernstein was also one of the festival’s founding members. In 1987, he initiated an orchestra academy that brings together 100 young and talented musicians.

Read the whole text on The German Times website

© The German Times